![]() ![]() These Conditions of Sale ("Conditions of Sale") contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED. Some irregularities in the emulsion by top and bottom edges.įrame with small surface marks and abrasions.ĪLL SALES ARE "AS IS, WHERE IS" WITHOUT ANY WARRANTIES WHATSOEVER. Mylar corner - no hinges attached to photograph. Condition: **Removed from frame for condition report.Notes: Nowadays people forget how radical my work was when it first appeared.Literature: Stephen Westfall, "Nan Goldin",.Provenance: Whitechapel Art Gallery, London, 2001.With her stark, often unsettling images she explores societal norms and sexuality in a sympathetic manner. Most of her subjects are also her friends, the family she chose after running away from her own at the age of 15. One of the most accomplished photographers of her generation, Goldin documents those on the fringes of society, the marginalized communities of drag queens, AIDS sufferers, addicts, the abused and neglected. ![]() Nowadays people forget how radical my work was when it first appeared. Emily Dinsdale, "Life Lessons We Can Take From Nan Goldin's Seminal Photography", The Observer, MaBrooke McCord, "Your Ultimate Guide to Nan Goldin",ĭAZED, january 2017. Literature: Stephen Westfall, "Nan Goldin",īOMB, Issue 37, Fall 1991 Sean O'Hagen, "Nan Goldin - Interview", Provenance: Whitechapel Art Gallery, London, 2001. Signed, stamped and numbered en verso "Nan Goldin / Clemens at lunch at Cafe de Sade, / Lacoste, France, 1999 / Special Benefit Edition / for Whitechapel Art Gallery, / produced on occasion of / Nan Goldin: Devil's Playground / 26 January - 31 March 2002 / Not for Resale / No. "Clemens at Lunch at Le Cafe de Sade, Lacoste, France", 1999 (printed 2001) ![]()
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